This is an in-depth study which means we need to analyse the product in terms of media language, industries, audience and representation. In addition, this CSP will be examined in Paper 2 with a short clip to analyse. This means we need to put in extra work on this media topic to ensure we are confident analysing clips in detail.
Notes from the first two lessons
Television CSPs - what we need to study
Episode 1 of Dr Who: An Unearthly Child, 1955
Episode 4 of Class: Co-owner of a Lonely Heart
Media Language: how the television shows communicate their message through mise-en-scene and narrative.
Industry: how the shows are produced and marketed; BBC funding and regulation.
Representation: How certain groups and individuals and ideas / issues are represented in the shows.
Audience: Target audience and audience pleasures.
PLUS: Historical, cultural and social significance of the television shows.
Television will in Media Paper 2 Section A:
Two medium response questions on an extract clip = one worth 8 marks and one worth 12.
One extended essay style response about the whole of the episodes you have studied.
Example questions:
How is the genre of Dr Who: An Unearthly Child demonstrated in this extract? [8 marks]
‘Narrative features grab and hold the audience’s attention’. How far does an analysis of the extract of Dr Who: An Unearthly Child show this to be true? [12 marks]
‘The Science Fiction genre deals with society’s changing hopes and fears.’ To what extent is this true of television drama? Answer with reference to the first episode of Dr Who: An Unearthly Child (1963) and Class, Co-owner of a Lonely Heart (Close Study products) [20 marks]
Language
TV drama conventions:
- Dramatic narrative, usually linear (with continuity across episodes.) This is called narrative arc e.g 13 Reasons Why and The Killing where the mystery spans the series.
- Ensemble cast (characters with own storylines). Sometimes an episode will focus more on one character e.g. in LOST.
- Specific technical codes e.g. realistic lighting and editing for social dramas to keep it gritty.
- Use of stereotypical characters to get messages across quickly.
- Narrative formula that is always followed e.g. Casualty (3 Strand); Homeland (multi-strand narrative).
- Common use of flashback, point of view shots, dialogue and voice over, enigma and action codes throughout.
Science Fiction conventions - NCIS
Narrative
- Alien invasion
- Scientific advancement
- Artificial intelligence
- Time travel
- Mutation
- Post-apocalyptic struggles to survive
- Chemical poisoning
- Advanced technology
- Experimentation
- Disease / Contamination
- Space travel
Characters
- Doubles / Doppelgangers / Clones
- Aliens who look like humans
- Aliens who look different
- New species
- Scientists
- People with advanced / superior intelligence
- Robots and advanced AI e.g. computers who can think
Iconography
- Futuristic hair and clothing
- Military uniforms
- Spaceships
- Space suits and helmets
- Futuristic weapons (light sabers / laser guns)
- Laboratories and experimental props
- Prosthetics / make-up
- Colours- blue, silver, grey, green
- Time machines / advanced computers/gadgets
Settings
- Futuristic worlds
- Parallel universes / alternate dimensions
- Different time periods
- Space or other planets
- Dystopian or post-apocalyptic environments
- Laboratories
- Contaminated or toxic environments
Narrative theories
Todorov: equilibrium
Todorov suggested that all narratives follow a three part structure.
They begin with equilibrium, where everything is balanced, progress as something comes along to disrupt that equilibrium, and finally reach a resolution, when a new equilibrium is restored.
Equilibrium > Disequilibrium > New equilibrium
This can be applied to most media narratives.
Propp: character types
Vladimir Propp stated that there were seven basic character roles when he analysed classic fairy tales and that these were present in most narratives. Media products still use these recognisable character types today:
Hero, Villain, Heroine/Princess, Father, Donor, Helper/Sidekick, False Hero
Todorov: equilibrium
Todorov suggested that all narratives follow a three part structure.
They begin with equilibrium, where everything is balanced, progress as something comes along to disrupt that equilibrium, and finally reach a resolution, when a new equilibrium is restored.
Equilibrium > Disequilibrium > New equilibrium
This can be applied to most media narratives.
Propp: character types
Vladimir Propp stated that there were seven basic character roles when he analysed classic fairy tales and that these were present in most narratives. Media products still use these recognisable character types today:
Hero, Villain, Heroine/Princess, Father, Donor, Helper/Sidekick, False Hero
Doctor Who: An introduction
- Listed in Guinness World Records as the longest-running science fiction television show in the world with over 800 episodes.
- The Doctor explores the universe in a time-travelling space ship called the TARDIS [Time And Relative Dimension In Space]. The TARDIS has a vast interior but appears smaller on the outside.
- The Doctor travels through space and time preventing evil aliens or people from harming innocent people or changing history.
- The Doctor has gained numerous reoccurring enemies during his travels, including the Daleks and the Cybermen.
- Twelve male actors have headlined the series as the Doctor. The transition from one actor to another is written into the plot of the show with the concept of regeneration into a new incarnation. In 2018 the BBC had their first female incarnation for the thirteenth Doctor.
Doctor Who: An Unearthly Child
Social and historical context
First episode: Saturday, November 23rd, 1963 on the BBC. The plot was a narrative arc (a story over several episodes) involving the Doctor and his companions voyaging 100,000 years into Earth’s past to help some cavemen discover fire.
William Hartnell was the first Doctor, as an anti-hero who frequently put his companions in jeopardy for his own curiosity. Daleks made an appearance in the first series, as the arch enemies of the Doctor.
Jodie Whittaker took over the role as the Thirteenth Doctor in 2018 and is the first woman to be cast as the character.
1960s Britain
1961- First man in space
1963- American President J.F. Kennedy assassinated
1963- Martin Luther King gives his “I have a dream” speech
1964- Beatlemania takes over America
1965- The introduction of the mini skirt in a fashion show
1966- England wins the football world cup
1968- Martin Luther King assassinated
1969- First Man on the moon
1969- Concorde is flown for the first time
The ‘hippy’ sixties as they are often called, had a shift in culture. There was more freedom for young people and a breakaway from traditions.
Episode analysis: An Unearthly Child
An Unearthly Child (sometimes referred to as 100,000 BC) is the first narrative arc in the British science fiction television series Doctor Who. It was first broadcast on BBC TV in four weekly parts from 23 November to 14 December 1963. Scripted by the Australian writer Anthony Coburn, it introduces William Hartnell as the First Doctor and original companions; Carole Ann Ford as the Doctor's granddaughter Susan Foreman, with Jacqueline Hill and William Russell as school teachers Barbara Wright and Ian Chesterton. The first episode deals with Ian and Barbara's discovery of the Doctor and his time-space ship TARDIS in a junkyard in contemporary London.
Plot of episode 1
Schoolteachers Ian Chesterton and Barbara Wright are concerned about one of their pupils, Susan Foreman, who seems to have a very ‘alien’ outlook on England. They have come to her listed address to investigate. They arrive in a junkyard and find a police box, which proves to be no ordinary police box. When Ian and Barbara enter, they discover it to be much bigger on the inside than the outside. In the TARDIS is Susan and her grandfather, the Doctor. Fearing that Barbara and Ian will give away the secret of the TARDIS, he kidnaps them and takes the machine to the Stone Age, where they will have to fight for their lives.
The First Doctor was played as less mischievous and more cruel than later incarnations. He also seems less concerned about saving the human race.
His companion was made his ‘granddaughter’ because it was thought inappropriate for an old man to be accompanied by a young girl if she were unrelated to him.
Representations
Daniel Chandler's representation theory: CAGE
This is a theory about how the media constructs or represents individuals or groups of people through the media. Key markers of identity can be remembered through the acronym CAGE:
C- Class
A- Age
G- Gender
E- Ethnicity
Susan Foreman
Susan Foreman is the first of a long-standing tradition of Doctor Who companions. It was felt improper in 1963 for an older man, such as the Doctor, to be travelling through space with a young 15 year old girl; so she was written as his Granddaughter. She is a strong link to the young target audience and will often react in ways that the audience might in future episodes [e.g. screaming at aliens]. Classically relatable.
She also provides a link between the chaotic alien madness of the Doctor and the human confusion embodied by Barbara and Ian (and the audience). She is therefore a translator of the more Sci-Fi elements of the story to a naïve 1960s audience. She can often be seen explaining some of the Doctor’s stranger outbursts to the humans Barbara and Ian. Another example of exposition.
The Doctor
The Doctor represents the new age of technology and science that was emerging in the 1960s. The ‘space race’ was underway and the world was fascinated with all things space travel and linked to other planets. He represents this new world of discovery.
The Doctor represents the new age of technology and science that was emerging in the 1960s. The ‘space race’ was underway and the world was fascinated with all things space travel and linked to other planets. He represents this new world of discovery.
He is a Time Lord from the planet Gallifrey and he explores the universe with usually human companions who serve as audience surrogate characters to ask questions which allow the Doctor to provide relevant exposition. He is often eccentric, distracted and dark in mood. Some commentators have said he symbolises the struggle between good and evil, some have said he is a symbol of a God-like presence who wanders through time and space trying to change history for the better.
Teachers Barbara Wright and Ian Chesterton
Barbara and Ian represent traditional human values and are classically middle class. They are the people the Doctor explains everything to, so that the audience understands as well. This is known as exposition.
They are also Science and History teachers so often offer advice and opinions to the Doctor on matters of space and time. They also have very clearly defined gender roles in the series.
Barbara and Ian also play the narrative role of mother and father to Susan who is very naive and who has not had that paternal guidance from the Doctor. They are very traditional in their gender roles. Ian is very physical when there is fighting or physical work to be done. Barbara is represented in a more homely, caring role in the series. These were stereotypical gender roles in the early 60s – but times were changing. Ian and Barbara are bonded by their human characteristics in their Space adventures. They represent the caring, empathetic part of the human condition in how they look after Susan and, in later episodes, the Doctor himself.
Language and Representation: blog tasks
Create a new blogpost called Doctor Who: Language and Representation blog tasks and complete the following questions on your blog:
Language and close-textual analysis
1) Choose three key moments in the episode and write an NCIS analysis for those clips. You can use your notes from the screening in class. Make specific, detailed references using media terminology (e.g. media language - camera shots, diegetic/non-diegetic sound, mise-en-scene etc.)
An Unearthly Child scene analysis
Narrative:
Character:
Iconography:
Setting:
2) How does Todorov's theory of equilibrium apply to An Unearthly Child? Try and use the expanded version of Todorov's theory: Equilibrium - Disruption - Recognition - Reparation - New equilibrium.
3) Applying Propp's character theory, what character roles do each of the main characters in An Unearthly Child fit into? Alternatively, you may wish to discuss how characters do not fit Propp's character types.
4) What enigma and action codes (Barthes) can you find in An Unearthly Child? Make specific, detailed reference to the text using media terminology (e.g. media language - camera shots, diegetic/non-diegetic sound, mise-en-scene etc.)
5) What examples of binary opposition (Levi-Strauss) can you find in An Unearthly Child? How do these create narrative or drama for the audience?
Representations
1) What stereotypes of men are reinforced and subverted in Doctor Who: An Unearthly Child? How?
2) What stereotypes of women/girls are reinforced and subverted in Doctor Who: An Unearthly Child? How?
3) What are common media stereotypes of young people and old people? Do any of the characters or scenarios reinforce or subvert these conventional stereotypes (consider this was 1963)? Has this changed in more recent series of Doctor Who?
4) What representations of race/ethnicity can be found in Doctor Who: An Earthly Child? Is this surprising or not? Give reasons for your answer and consider historical / cultural context (the 1960s). Has this changed in more recent series of Doctor Who?
Social and Historical context
1) How does An Unearthly Child reflect the social and historical contexts of the 1960s?
2) How might audiences have felt towards science fiction in the 1960s?
1) How does An Unearthly Child reflect the social and historical contexts of the 1960s?
2) How might audiences have felt towards science fiction in the 1960s?
Grade 8/9 extension tasks and reading
Read this Media Magazine article tracing the cultural impact of Doctor Who. What does it suggest regarding the importance of Doctor Who, representations and industry?
Read this Guardian feature on female characters in Doctor Who. What does it suggest regarding the representation of women over time in Doctor Who?
Read this Media Magazine article tracing the cultural impact of Doctor Who. What does it suggest regarding the importance of Doctor Who, representations and industry?
Read this Guardian feature on female characters in Doctor Who. What does it suggest regarding the representation of women over time in Doctor Who?
You will have some lesson time to start this but will need to complete this for homework - due date set by your teacher and on Google Classroom.
